01 Marine Art, Paul Signac's Roscoff , With Footnotes #313

Paul Signac, 1863 - 1935

Roscoff, c. 1927

Watercolour, gouache and pencil on paper

27,6 x 43,8 cm; 10⅞ x 17¼ in.

Private collection

Sold for 63,000 EUR in March 2022

In the 19th century, Roscoff traded in cloth, salt and wood… even onions exported to England. Everything in its historic centre evokes the wealth of maritime trade: from the church hidden away in its garden to the opulent granite dwellings; from the boats sculpted out of stone to the turrets in the old harbour. The spirit of corsairs, smugglers and merchants still seems to hover around the entrances to elaborate cellars that open at street or beach level. More on Roscoff 

Paul Signac, (born Nov. 11, 1863, Paris, France—died Aug. 15, 1935, Paris) A French painter who, with Georges Seurat, developed the technique called pointillism.

When he was 18, Signac gave up the study of architecture for painting and, through Armand Guillaumin, became a convert to the colouristic principles of Impressionism. In 1884 Signac helped found the Salon des Indépendants. There he met Seurat, whom he initiated into the broken-colour technique of Impressionism. The two went on to develop the method they called pointillism, which became the basis of Neo-Impressionism. They continued to apply pigment in minute dabs of pure colour, as had the Impressionists, but they adopted an exact, almost scientific system of applying the dots, instead of the somewhat intuitive application of the earlier masters. In watercolours Signac used the principle in a much freer manner. After 1886 he took part regularly in the annual Salon des Indépendants, to which he sent landscapes, seascapes, and decorative panels. Being a sailor, Signac traveled widely along the European coast, painting the landscapes he encountered. In his later years he painted scenes of Paris, Viviers, and other French cities.

Signac produced much critical writing and was the author of From Eugène Delacroix to Neo-Impressionism (1899) and Jongkind (1927). The former book is an exposition of pointillism, while the latter is an insightful treatise on watercolour painting. More on Paul Signac

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