11 Classic Works of Art, Marine Paintings - With Footnotes, #33

Montague Dawson, (1890–1973)
The British Clipper Ship Thermopylae
Watercolor and gouache on paper
16 1/4 x 26 in.
Private Collection

Thermopylae was an extreme composite clipper ship built in 1868 by Walter Hood & Co of Aberdeen, to the design of Bernard Waymouth of London. In 1872, Thermopylae raced the clipper Cutty Sark from Shanghai back to London. Thermopylae won by seven days after Cutty Sark lost her rudder. From 1882 onward, Thermopylae took part in the Australian wool trade; however, on this route Cutty Sark proved faster.

In 1897 she was sold to Portugal for use as a naval training ship and renamed Pedro Nunes. On 13 October 1907, the Portuguese Navy towed her down the Tagus river using two warships, and before Amelia de Orleans, Queen of Portugal, she was torpedoed with full naval honours off Cascais. More on Thermopylae 

Montague Dawson, (1890–1973)
The British Clipper Ship Thermopylae
Detail

Montague Dawson RMSA, FRSA (1890–1973) was a British painter who was renowned as a maritime artist. His most famous paintings depict sailing ships, usually clippers or warships of the 18th and 19th centuries. Montague was the son of a keen yachtsman and the grandson of the marine painter Henry Dawson (18111878), born in Chiswick, London. Much of his childhood was spent on Southampton Water where he was able to indulge his interest in the study of ships. For a brief period around 1910 Dawson worked for a commercial art studio in Bedford Row, London, but with the outbreak of the First World War he joined the Royal Navy. Whilst serving with the Navy in Falmouth he met Charles Napier Hemy (18411917), who considerably influenced his work. In 1924 Dawson was the official artist for an Expedition to the South Seas by the steam yacht St.George. During the expedition he provided illustrated reports to the Graphic magazine.

After the War, Dawson established himself as a professional marine artist, concentrating on historical subjects and portraits of deep-water sailing ships. During the Second World War, he was employed as a war artist. Dawson exhibited regularly at the Royal Society of Marine Artists, of which he became a member, from 1946 to 1964, and occasionally at the Royal Academy between 1917 and 1936. By the 1930s he was considered one of the greatest living marine artists, whose patrons included two American Presidents, Dwight D Eisenhower and Lyndon B Johnson, as well as the British Royal Family. Also in the 1930s, he moved to Milford-Upon-Sea in Hampshire, living there for many years. Dawson is noted for the strict accuracy in the nautical detail of his paintings which often sell for six figures.

The work of Montague Dawson is represented in the National Maritime Museum, Greenwich and the Royal Naval Museum, Portsmouth. More on Montague Dawson

Herbert James Draper, 1863-1920
THE WRATH OF THE SEA GOD
Oil on canvas
38.5 by 101.5cm., 23 by 40in.
Private Collection

The present picture illustrates an episode from Ovid's Odyssey as the ship commanded by Odysseus and his men on their return to Ithaca from the Trojan wars, incurs the anger of Poseidon following Odysseus' slaying of Poseidon's son, the cyclops Polyphemus. The men struggle against the foaming waters, grappling with the steering oar at the stern and attempting to lower the sails to prevent the ship from capsizing.

The Wrath of the Sea God was the second of a series of classical nautical paintings painted by Draper around the turn of the century. In 1894 he had achieved his first major public success with a painting entitled The Sea Maiden (below), a dramatic scene set on board a fishing-boat as a sea-nymph is hauled aboard in the nets. This picture established Draper's reputation as a painter of narratives beside the sea, and more specifically on board ships.

Herbert James Draper,  (1863–1920)
The Sea Maiden, c. 1894
Oil on canvas
120 x 217.5 cm. (47.2 x 85.6 in.)
Formerly in the collection of the Royal Cornwall Museum in Truror,

Herbert James Draper (1863 – 1920) was an English Classicist painter whose career began in the Victorian era and extended through the first two decades of the 20th century. Born in London, the son of a jeweller, he was educated at Bruce Castle School in Tottenham and then went on to study art at the Royal Academy. He undertook several educational trips to Rome and Paris between 1888 and 1892, having won the Royal Academy Gold Medal and Travelling Studentship in 1889. In the 1890s, he worked as an illustrator, eventually settling in London. He died of arteriosclerosis at the age of 56, in his home on Abbey Road. More on Herbert James Draper

Terrick Williams, 1860-1936
THE QUAYSIDE, CONCARNEAU
Oil on canvas
35.5 by 61cm., 14 by 24in.
Private Collection


Concarneau (meaning Bay of Cornwall) is a commune in the Finistère department of Brittany in north-western France. It is a walled town on a long island in the center of the harbour. Historically, the town was a centre of shipbuilding and is France’s third most important fishing port. More on Concarneau


John Terrick Williams RA (20 July 1860 – 20 July 1936). Williams was born in Liverpool, England, the son of a businessman. He was educated at Kings College School, London. Determination to become an artist he move to Europe and studied under Charles Verlat in Antwerp and later at the Académie Julian and Jean-Joseph Benjamin-Constant, William-Adolphe Bouguereau and Tony Robert-Fleury in Paris.

Williams focussed on landscape and marine subjects and painted in oil, pastel and watercolour. He travelled extensively and his impressionistic, luminous paintings sought the transient effects of light and reflections in Venice, St. Tropez, Paris, Brittany and St. Ives.

He was elected a member of the Royal Institute of Painters in Water Colours in 1904. His work was regularly exhibited at the Royal Academy from 1891. He was elected an Associate of the Royal Academy (A.R.A.) on 18 November 1924, a Royal Academician (R.A.) on 14 February 1933, and a Senior R.A. on 1 January 1936. In 1933 he was also elected President of the RI. He died on his birthday in 1936 aged 76. After his death a memorial exhibition was held at the Fine Art Society in 1937. More on John Terrick Williams

Thomas Somerscales, 1842-1927
A SHIP OF THE LINE 100 YEARS AGO, c. 1900
Oil on canvas
70 by 106cm., 27½ by 42in.
Private Collection

Somerscales depicts the ship hove to with her mainyards backed as whalers approach. In the distance, another ship can be seen with her 'stun'-sails' - the additional sails seen extended outside the normal sail plan - set. These were almost obsolete by the twentieth century. 

Thomas Jacques Somerscales (born in Kingston upon Hull on 29 October 1842; died 27 June 1927) was an English marine painter. He is also considered a Chilean painter as he began his career there and many of his landscapes evoke the region.

His father was a shipmaster, who sketched, and his uncle was an amateur painter. However he had no formal training as an artist and originally became a teacher in the Royal Navy. He also traveled around the Pacific and while teaching in Valparaíso he started working as a professional painter. By 1893 he was still referred to as a "little known artist" but had gained some praise. More on Thomas Jacques Somerscales

Thomas Bush Hardy, (1842-1897)
No. 1 Greenwich Pier, Stormy Weather
Oil on canvas
 9.5 x 20in.
Private Collection


Greenwich Pier is a pier on the River Thames in the Royal Borough of Greenwich, London. It was was originally built in the 1880s as a coaling jetty for the former Greenwich gasworks before this closed in the late 1980s. More on Greenwich Pier

Thomas Bush Hardy (1842, Sheffield – 1897, Maida Vale, London) was a British marine painter and watercolourist. As a young man he travelled in the Netherlands and Italy. In 1884 Hardy was elected a Member of the Royal Society of British Artists. He exhibited with the Society and also at the Royal Academy.
His paintings feature coastal scenes in England and the Netherlands, the French Channel ports and the Venetian Lagoon.
Hardy had nine children. His son Dudley Hardy was a painter, illustrator and poster designer. His daughter Dorothy received an MBE after working as a nurse in the First World War. He died on 15 December 1897 in Maida Vale, London. More on Thomas Bush Hardy

Henry Scott Tuke, R.A., R.W.S., 1858-1929
MENDING THE SAILS , c. 1889
Oil on canvas
41 by 30.5cm., 16 by 12in.
Private Collection


Henry Scott Tuke RA RWS (12 June 1858 – 13 March 1929), was an English visual artist; primarily a painter, but also a photographer. His most notable work was in the Impressionist style.

He was born into a Quaker family in Lawrence Street in York. In 1859 the family moved to Falmouth, where where his father, a physician, established a practice. Tuke's sister and biographer, Maria Tuke Sainsbury (1861–1947).

In 1875, Tuke enrolled in the Slade School of Art under Alphonse Legros and Sir Edward Poynter. Initially his father paid for his tuition but in 1877 Tuke won a scholarship, which allowed him to continue his training at the Slade and in Italy in 1880. From 1881 to 1883 he was in Paris where he met Jules Bastien-Lepage, who encouraged him to paint en plein air. While studying in France, Tuke decided to move to Newlyn Cornwall where many of his Slade and Parisian friends had already formed the Newlyn School of painters. He received several lucrative commissions there, after exhibiting his work at the Royal Academy of Art in London.

In 1885, Tuke returned to Falmouth where many of his major works were produced. Tuke became an established artist and was elected to full membership of the Royal Academy in 1914. Tuke suffered a heart attack in 1928 and died in March, 1929. Today he is remembered mainly for his oil paintings of young men, but in addition to his achievements as a figurative painter, he was an established maritime artist and produced as many portraits of sailing ships as he did human figures. Tuke was a prolific artist—over 1,300 works are listed and more are still being discovered. More Henry Scott Tuke


Thomas Bush Hardy (1842-1897)
Shipwrecked
Oil on canvas

91x60 cm
Private Collection


Thomas Bush Hardy (1842-1897), see above

Thomas Bush Hardy, (1842-1897)
Shipwrecked
Detail

Richard Strong, (American, Late 20th Century)
Unchartered Voyage
Oil on board
50 x 74 inches (127 x 188.0 cm)
Private Collection

Richard Strong was born in 1947 in Lakeland, Florida. He studied graphic arts and photography at the University of South Florida (1971-1975) receiving a scholarship and grant for postgraduate work in conjunction with Graphicstudio. As part of his training he studied under Frank Rampolla, Bruce Marsh, John Catterall, Oscar Bailey, and Theo Wujcik. He also was fortunate enough to work at Graphicstudio in association with the likes of James Rosenquist, Ed Ruscha and Robert Rauchenberg under Tamarind trained master printer Chuck Ringness. More on Richard Strong

Viviane Guy, b. 1952, France
Un monde de tranquillité/ A world of tranquility
Oil on camvas
31 H x 31 W x 1 in

Viviane Guy. Born in 1952 in Bruxelles, Belgium, self-taught, Viviane Guy likes places filled with beauty. Breathing and seducing spaces. Her painter’s vision has brought her through the world particularly in Canada, French Polynesia, China and the U.S.A. where she reinforced her technique working hand to hand with the American painter Jackson Collins. Viviane Guy defines the Art of painting as the continuity of her childhood and considers that her staging have no other function than to tame the viewer in order for them to decode their senses. “In front of nature, a painter chooses how to look at it. I work following the impressions reality leaves in me, they inspire me while preserving my freedom. The subject can be guessed, but the ambiance is abstraction.” Viviane Guy.  More on Vivian Guy









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11 Classic Works of Art, Marine Paintings - With Footnotes, #32

Frederick Judd Waugh, American, 1861–1940
Mid Ocean
Oil on canvas
40 × 50 1/4 in. (101.6 × 127.6 cm)
 The Museum of Fine Arts, Houston

Frederick Judd Waugh (September 13, 1861 in Bordentown, New Jersey – September 10, 1940) was an American artist, primarily known as a marine artist. During World War I, he designed ship camouflage for the U.S. Navy, under the direction of Everett L. Warner.

Waugh was the son of a well-known Philadelphia portrait painter, Samuel Waugh. He studied at the Pennsylvania Academy of Fine Arts with Thomas Eakins, and at the Académie Julian in Paris, with Adolphe-William Bouguereau. After leaving Paris, he moved to England, residing on the island of Sark in the English Channel, where he made his living as a seascape painter.

In 1908, Waugh returned to the U.S. and settled in Montclair Heights, New Jersey. He had no studio, until art collector William T. Evans offered him one in exchange for one painting a year. In later years, he lived on Bailey Island, Maine, and in Provincetown, Massachusetts. 

In 1918, Waugh was recommended to serve as a camouflage artist (or camoufleur) for the U.S. Navy, as a member of the Design Section of its marine camouflage unit (Behrens 2002, 2009). That section was located in Washington, D.C., and was headed by American painter Everett L. Warner (Warner 1919). More on Frederick Judd Waugh

NICOLAAS RIEGEN,  (Dutch. 1827-1889)
Seascape with Three-Mast Ship on Choppy Water
Oil on Canvas
22” by 23”.
Private collection

Nicolaas Riegen was born in Amsterdam, May 31, 1827, where he continued to live and work for the rest of his life. Riegen was a skilled painter of seascapes and river views, of various weather conditions. He was known to have painted city views and landscapes according to the Hague School as well. Riegen exhibited his work during his life at events in Arnhem and Maastricht. Although he was a registered painter, and thus a professional, his work is seldom seen. In 1872 he applied to "Arti et Amicitiae" in Amsterdam. In 1899 Riegen passed away. More on Nicolaas Riegen

THOMAS BUSH HARDY C.19TH
MOUTH OF THE THAMES, c. 1896
WATERCOLOR ON BOARD
Height: 16 & 11 in. by Width: 33 & 28 in.
Private collection

The Thames Estuary is the estuary in which the River Thames meets the waters of the North Sea, in the south-east of Great Britain. It is not easy to define the limits of the estuary.[ Although physically the head of Sea Reach or the Kent / Essex Strait, south of Canvey Island on the northern (Essex) shore presents a western boundary, the Tideway itself can be considered estuarine; it starts in south-west London at Teddington/Ham. The eastern boundary of the estuary is a line drawn from North Foreland, Margate, Kent via the Kentish Knock lighthouse to Harwich in Essex. It is to this line that the typical estuarine sandbanks extend. More on MOUTH OF THE THAMES

THOMAS BUSH HARDY C.19TH, see below

Montague Dawson RMSA, FRSA (1890–1973)
Ships That Pass
Oil on canvas
28.25 x 42 in
Private collection

Montague Dawson RMSA, FRSA (1890–1973) was a British painter who was renowned as a maritime artist. His most famous paintings depict sailing ships, usually clippers or warships of the 18th and 19th centuries. Montague was the son of a keen yachtsman and the grandson of the marine painter Henry Dawson (18111878), born in Chiswick, London. Much of his childhood was spent on Southampton Water where he was able to indulge his interest in the study of ships. For a brief period around 1910 Dawson worked for a commercial art studio in Bedford Row, London, but with the outbreak of the First World War he joined the Royal Navy. Whilst serving with the Navy in Falmouth he met Charles Napier Hemy (18411917), who considerably influenced his work. In 1924 Dawson was the official artist for an Expedition to the South Seas by the steam yacht St.George. During the expedition he provided illustrated reports to the Graphic magazine.

Montague Dawson RMSA, FRSA (1890–1973)
THE OLD VOYAGER HUDSON HALF MOON - 1609
Oil on canvas
20" x 30.25" — 50.8 x 76.8 cm.
Private collection

Halve Maen (Dutch pronunciation) was a Dutch East India Company vlieboot which sailed into what is now New York Harbor in September 1609. She was commissioned by the VOC Chamber of Amsterdam in the Dutch Republic to covertly find a western passage to China. The ship was captained by Henry Hudson, an Englishman in the service of the Dutch Republic. More on Halve Maen

After the War, Dawson established himself as a professional marine artist, concentrating on historical subjects and portraits of deep-water sailing ships. During the Second World War, he was employed as a war artist. Dawson exhibited regularly at the Royal Society of Marine Artists, of which he became a member, from 1946 to 1964, and occasionally at the Royal Academy between 1917 and 1936. By the 1930s he was considered one of the greatest living marine artists, whose patrons included two American Presidents, Dwight D Eisenhower and Lyndon B Johnson, as well as the British Royal Family. Also in the 1930s, he moved to Milford-Upon-Sea in Hampshire, living there for many years. Dawson is noted for the strict accuracy in the nautical detail of his paintings which often sell for six figures.

The work of Montague Dawson is represented in the National Maritime Museum, Greenwich and the Royal Naval Museum, Portsmouth. More on Montague Dawson

THOMAS BUSH HARDY, C.19TH
MOUTH OF THE THAMES, c. 1896
WATERCOLOR ON BOARD
Height: 16 & 11 in. by Width: 33 & 28 in.
Private collection

Thomas Bush Hardy (1842, Sheffield – 1897, Maida Vale, London) was a British marine painter and watercolourist. As a young man he travelled in the Netherlands and Italy. In 1884 Hardy was elected a Member of the Royal Society of British Artists. He exhibited with the Society and also at the Royal Academy.
His paintings feature coastal scenes in England and the Netherlands, the French Channel ports and the Venetian Lagoon.
Hardy had nine children. His son Dudley Hardy was a painter, illustrator and poster designer. His daughter Dorothy received an MBE after working as a nurse in the First World War. He died on 15 December 1897 in Maida Vale, London. More on Thomas Bush Hardy

 Samuel Bough, English (1822 - 1878)
Off St Andrews, c. 1856
Oil on canvas
36.20 x 45.80 cm
National Galleries of Scotland

This dramatically lit scene shows a view just off the harbour of St Andrews, looking back towards the town. The remains of the ruined Cathedral can be seen perched on the hill. They form a backdrop to the foreground drama of the fishing boat venturing out into the turbulent waters of St Andrews Bay, notorious for its heavy swell and frequent shipwrecks. Benefitting from improvements in rail connections across Scotland, Bough made frequent excursions to the coastal towns and villages of the East Neuk of Fife from the 1850s to the 1870s. This painting was completed in 1856, the same year that Bough was elected an Associate of the Royal Scottish Academy. More on this painting

Samuel Bough RSA (1822–1878) was an English-born landscape painter who spent much of his career working in Scotland. He was raised in relative poverty, but with a keen encouragement in the arts.

He was self-taught but mixed with local artists such as Richard Harrington and George Sheffield, and was strongly influenced by the work of Turner. After an unsuccessful attempt to live as an artist in Carlisle he obtained a job and as a theatre scenery painter in Manchester in 1845, and later in Glasgow. Encouraged by Daniel Macnee to take up landscape painting he moved to Hamilton from 1851-4 and worked there. In 1854 he moved to Port Glasgow to work on his technique of painting ships and harbours. He also began supplementing his income by illustrating books, before moving to Edinburgh in 1855.

His health began to fail in 1877 and in January 1878 he suffered a stroke. He died of prostate cancer. More on Samuel Bough RSA

Edward Cucuel, 1875 - 1954
THE GATEWAY TO AMERICA (FROM GOVERNOR'S ISLAND), c. 1928
Oil on canvas
25 3/4 by 31 3/4 inches, (65.4 by 80.6 cm)
Private collection

In the present picture Cucuel illustrates southern Manhattan from a vantage point on Governor’s Island. At right is Castle Williams, a circular fortification on the northwest point of the island and part of a system of forts constructed in the early 19th century to protect New York City from naval attack. Other structures visible in the skyline include the Woolworth Building, the International Mercantile Marine Company and the Whitehall Building. More on this painting

Edward Cucuel (August 6, 1875, San Francisco – April 18, 1954, Pasadena, California), was an American-born painter who lived and worked in Germany. At the age of fourteen he was already attending the San Francisco Art Institute and doing illustrations for The Examiner. At the age of seventeen, he went to Paris where he attended the Académie Julian and the Académie Colarossi, finishing at the Académie des Beaux-Arts under Jean-Léon Gérôme. When he came back to the United States in 1896, he briefly worked as a newspaper illustrator in New York, but returned to France and Italy to acquaint himself with the old masters at first hand. He ended up in Germany in 1899, where he worked as a free-lance newspaper illustrator in Berlin and Leipzig.

Following a brief stay in San Francisco to visit his family after the earthquake, he settled in Munich in 1907. It was there that he was introduced to plein-air painting. He also became a member of the Munich Secession. In 1913, he became a member of the Société Nationale des Beaux-Arts and exhibited with the Salon d'Automne. During the First World War, he lived in Holzhausen on the Ammersee, later establishing studios in Munich and Starnberg, his father's hometown. From 1928 to 1939, he commuted between there and New York, where he spent the winters. The beginning of World War Two forced him to leave Germany for good in 1939. He settled in Pasadena, California, where he lived until his death in 1954. More on Edward Cucuel

Joaquín Sorolla y Bastida,  (1863 – 1923)
RECOGIENDO LA BARCA, PLAYA DE VALENCIA (THE RETURN OF THE BOAT, VALENCIA BEACH), 1909
oil on canvas
16 by 24cm., 6¼ by 9½in
Private collection

Valencia is one of the oldest cities in Spain, founded in the Roman period under the name (Valentia Edetanorum es) on the site of a former Iberian town, by the river Turia in the province of Edetania,  fronting the Gulf of Valencia on the Mediterranean Sea. More on Valencia

Joaquín Sorolla y Bastida (27 February 1863  10 August 1923) was a Spanish painter. Sorolla excelled in the painting of portraits, landscapes, and monumental works of social and historical themes. His most typical works are characterized by a dexterous representation of the people and landscape under the sunlight of his native land. More on Joaquín Sorolla y Bastida

Joaquín Sorolla y Bastida,  (1863 – 1923)
On San Sebastian Beach, c. 1895-1900
Oil on Canvas
32.7 cm (12.87 in.)x 22.7 cm (8.94 in.)
A Repository of Paintings Archive

San Sebastian is a coastal city and municipality located in the Basque Autonomous Community, Spain. It lies on the coast of the Bay of Biscay, and boasts one of the best in-city beaches in Europe. It is quite unusual feeling that you can sunbathe and swim right next to major historical buildings and churches. Surfers are in abundance here. The city is quite small and cozy. More on San Sebastian

Joaquín Sorolla y Bastida,  (1863 – 1923), see above






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13 Classic Works of Art, Marine Paintings - With Footnotes, #31



Follower of Ange-Joseph Antoine Roux, (french 1765-1835) 
"ACTION BETWEEN H.M FRIGATE ''AMBUSCADE'' AND THE FRENCH FRIGATE ''BAYONNAISE''" 
Oil on canvas 
23 3/8 x 30 in. (59.4 x 76.2cm)
Private Collection

HMS Ambuscade was a 32-gun fifth-rate frigate of the Royal Navy, built in 1773. The French captured her in 1798 but the British recaptured her in 1803. She was broken up in 1810.

On 13 December 1798, Ambuscade captured a French merchantman, Faucon, with a cargo of sugar and coffee bound for Bordeaux. Disaster struck the following day. Ambuscade was blockading Rochefort, when the smaller French corvette Bayonnaise captured her at the Action of 14 December 1798. The court martial exonerated Captain Henry Jenkins of Ambuscade, though a good case could be made that he exhibited poor leadership and ship handling. The French brought her into service as Embuscade.

On 28 May 1803, HMS Victory recaptured her. She had a crew of 187 men under the command of capitaine de vaisseau Fradin, and was 30 days out of Cap Francais, bound for Rochefort. The Royal Navy took her back into service as Ambuscade.

In March 1805, she was attached to Sir James Craig's military expedition to Italy. Along with Dragon, Craig's flagship, and Lively, Ambuscade escorted a fleet of transports to Malta. On 4 March 1807, Ambuscade captured the ship Istria. Unité, Melpomene, Bittern and Weazel (or Weazle) were in company and shared in the prize money. More on the Ambuscade

Ange-Joseph Antoine Roux, "Antoine Roux" (1765–1835) was a French fine art painter who specialised in maritime painting, sometimes referred to as marine art. Roux came from a family of artists and primarily worked in Marseille. Early in life he was apprenticed to his father, Joseph Roux (1752–93), an hydrographer as well as an artist in his own right, spending his leisure hours painting and drawing. He died of cholera in Marseille in 1835. More on Roux

Jean François Hue, (French, 1751-1823)
French corvette Bayonnaise boarding HMS Ambuscade during the Action of 14 December 1798
Private collection

Bayonnaise was a 24-gun corvette of the French Navy, launched in 1793. Bayonnaise was being built as a privateer when the Ministry of Marine requisitioned her in 1793 before she sailed. The Ministry assumed the construction contracts and purchased her in March 1794. Her hull was coppered in 1795 in Brest. She was officially renamed Brême that year, but apparently the new name was roundly ignored.

She became famous for the Action of 14 December 1798, in which she captured the much stronger 32-gun Ambuscade off the Gironde. Ambuscade was blockading Rochefort, when the smaller Bayonnaise captured her. Ambuscade had ten men killed, including her first lieutenant and master, and 36 wounded, including her captain. Bayonnaise had 30 killed, and 30 badly wounded, including Richer and his first lieutenant.

On 28 November 1803, Ardent gave chase to Bayonnaise in Finisterre Bay. The corvette's crew ran her ashore and then set fire to her prevent the British from capturing her. Captain Winthrop of Ardent described Bayonnaise as a frigate of 32 guns and 220 men, which had been sailing from Havana to Ferrol. Actually, Bayonnaise was armed en flute with only six 8-pounder guns, and was returning from the Antilles.

Archaeologists of the "Finisterre Project" in August 2010 located Bayonnaise's wreck on Langosteira beach, Finisterre. More on the Bayonnaise

Jean-François Hue ( Saint-Arnoult-en-Yvelines , December 2, 1751 - Paris, 26 December 1823) was a French landscape painter of the eighteenth and nineteenth centuries. He was received at the Royal Academy in 1782. His main sources of inspiration for his works are his great voyages.

He entered the studio of Joseph Vernet as a painter and landscape designer; He painted four views of the castle of Mousseaux and it's gardens.

Having specialized in landscapes and marines, his talent allowed him to become an official Navy painter, following in the footsteps of his master Joseph Vernet . Thus, in 1791 , the Constituent Assembly entrusted him with the task of completing the series representing the ports of France, commissioned at Vernet from 1753 .

Between 1792 and 1798 , he executed a series of six paintings on the theme of the ports of Brittany . More on Jean-François Hue

Thomas Bush Hardy
Scarborough, c. 1895
Watercolour
22cm x 71cm
Private Collection

Scarborough is a town on the North Sea coast of North Yorkshire, England. The town lies between 10–230 feet (3–70 m) above sea level, rising steeply northward and westward from the harbour onto limestone cliffs. 

The most striking feature of the town's geography is a high rocky promontory pointing eastward into the North Sea. The promontory supports the 11th century ruins of Scarborough Castle and separates the seafront into two bays, to the north and south. More on Scarborough 

Thomas Bush Hardy (1842, Sheffield – 1897, Maida Vale, London) was a British marine painter and watercolourist. As a young man he travelled in the Netherlands and Italy. In 1884 Hardy was elected a Member of the Royal Society of British Artists. He exhibited with the Society and also at the Royal Academy.
His paintings feature coastal scenes in England and the Netherlands, the French Channel ports and the Venetian Lagoon.
Hardy had nine children. His son Dudley Hardy was a painter, illustrator and poster designer. His daughter Dorothy received an MBE after working as a nurse in the First World War. He died on 15 December 1897 in Maida Vale, London. More on Thomas Bush Hardy

Charles Dixon, 1872 - 1934
In Mid Atlantic, c. 1921
Watercolour heightened with body colour
43.5cm x 76.5cm
Private Collection

Charles Edward Dixon (8 December 1872 - 12 September 1934) was a British maritime painter of the late nineteenth and early twentieth centuries, whose work was highly successful and regularly exhibited at the Royal Academy. Several of his paintings are held by the National Maritime Museum and he was a regular contributing artist to magazines and periodicals. He lived at Itchenor in Sussex and died in 1934. More on Charles Edward Dixon

Charles Dixon, 1872 - 1934
Tower Bridge, 1910
Watercolour and bodycolour on paper on paper
535 x 372mm
Private Collection

Tower Bridge is a combined bascule and suspension bridge in London built between 1886 and 1894. The bridge crosses the River Thames close to the Tower of London. 

In the second half of the 19th century, an advertisement in the East End of London led to a hiring for a new river crossing downstream of London Bridge. A traditional fixed bridge at street level could not be built because it would cut off access by sailing ships to the port facilities in the Pool of London, between London Bridge and the Tower of London. More on the Tower Bridge

Charles Dixon, 1872 - 1934, see above

Lyonel Feininger, 1910 - 2011
Romance at the seaside, 1943
Watercolour and ink on paper
24 x 31.5 cm.
Private Collection

T. Lux Feininger (June 11, 1910 Berlin — July 7, 2011 Cambridge) was an American painter, avant-garde photographer, author, and art teacher who was born in Berlin to Julia Berg and Lyonel Charles Feininger, an American living in Germany from the age of sixteen. His father was the first faculty appointment made to the Bauhaus in Weimar by its founder, Walter Gropius, in 1919. He had two older full brothers, including Andreas Feininger, and two half sisters, even older, by Clara Fürst and his father (from his first marriage). More Lyonel Feininger 

Lyonel Feininger, 1910 - 2011
Untitled - sailing boat, c. 1934
ink, watercolour on paper
16.1 x 19 cm
Private Collection

Lyonel Feininger, 1910 - 2011, see above

William Lee Hankey, (1869–1952) 
Sardine Boats at Douarnenez, France
Oil on canvas
63 x 76cm (24 3/4 x 29 7/8in.)
Private Collection

Douarnenez, is a commune in the Finistère department of Brittany in north-western France. It is located at the mouth of the Pouldavid River, an estuary on the southern shore of Douarnenez Bay in the Atlantic Ocean. It still has fish canning facilities (sardines and mackerel) although sardine fishing, for which the town became famous, has fallen off in recent years.

Douarnenez has a growing tourist industry, with numerous visitors attracted annually to its pleasant location and warm climate, and also because of its marinas, maritime museum, regattas and sandy beaches. The island of Tristan off Douarnenez can be reached by foot at low tide. It is linked to the legend of Tristan and Iseult from the times of King Arthur. More on Douarnenez

William Lee Hankey (1869–1952) RWS,RI,ROI,RE,NS was a British painter and book illustrator. He specialised in landscapes, character studies and portraits of pastoral life, particularly in studies of mothers with young children.

He was born in Chester and worked as a designer after leaving school. He studied art in the evenings at the Chester School of Art, then at the Royal College of Art. Later in Paris he became influenced by the work of Jules Bastien-Lepage, who also favoured rustic scenes depicted in a realistic but sentimental style. He first exhibited at the Royal Academy in 1896 and was President of the London Sketch Club from 1902 to 1904. He stayed in France in the early 1900s, painting many of his works in Brittany and Normandy. From 1904 until well after World War I he maintained a studio at the Etaples art colony.

It was Hankey's black and white and coloured etchings of the people of Étaples, which gained him a reputation as 'one of the most gifted of the figurative printmakers working in original drypoint during the first thirty years of the 20th century'. One that is particularly striking for its stylistic presentation was "The Refugees", his contribution to raising awareness of the consequences for ordinary people of the German invasion of France and Belgium in 1914. He went on to serve with the Artists' Rifles from 1915 to 1918.

In Britain he had been associated with the Newlyn School, a group of English artists based in the titular village in Cornwall who were themselves influenced by the romantic poets such as Wordsworth and Keats. More on William Lee Hankey

Michael Peter Ancher  (1849–1927)
The Lifeboat is Taken through the Dunes, c. 1883
Oil on canvas
171 × 221 cm (67.3 × 87 in)
Museum for Kunst,  Copenhagen

Michael Peter Ancher (9 June 1849 – 19 September 1927) was a Danish realist artist. He is remembered above all for his paintings of fishermen and other scenes from the Danish fishing community in Skagen. Ancher was born on the island of Bornholm. He attended school in Rønne but was unable to complete his secondary education as his father ran into financial difficulties. In 1866, he met the painters Theodor Philipsen and Vilhelm Groth. Impressed with his own early work, they encouraged him to take up painting as a profession. In 1871, he spent a short period at C.V Nielsen's art school as a preliminary to joining the Royal Danish Academy of Art in Copenhagen later in the year. Although he spent some time at the academy, he left in 1875 without graduating.

Michael Peter Ancher  (1849–1927)
Will he round the point? c. 1885
Oil on canvas
110x142 cm.
Private Collection

He achieved his artistic breakthrough in 1879 with the painting Vil han klare pynten (Will He Round the Point?) (above). Michael Ancher's works depict Skagen's heroic fishermen and their dramatic experiences at sea. More on Michael Peter Ancher 

N. C. Wyeth, 1882 - 1945
Deep Cove Lobster Man, ca.1938
Oil on gessoed board (Renaissance Panel)
16 1/4 x 22 3/4 in.
Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania

Newell Convers Wyeth (October 22, 1882 – October 19, 1945), known as N. C. Wyeth, was an American artist and illustrator. During his lifetime, Wyeth created over 3,000 paintings and illustrated 112 books, 25 of them for Scribner's, the Scribner Classics, which is the work for which he is best known. The first of these, Treasure Island, was one of his masterpieces and the proceeds paid for his studio. Wyeth was a realist painter just as the camera and photography began to compete with his craft. Sometimes seen as melodramatic, his illustrations were designed to be understood quickly. He is notably the father of painter Andrew Wyeth and the grandfather of Jamie Wyeth, both celebrated American painters. More on Newell Convers Wyeth

Joaquín Sorolla y Bastida, 1863 - 1923
Breakwater, San Sebastian, 1918
Oil on canvas
81 x 104.5 cm
Sorolla Museum,  Madrid, Spain

San Sebastián is a coastal city and municipality located in the Basque Autonomous Community, Spain. It lies on the coast of the Bay of Biscay, 20 km from the French border. San Sebastián's picturesque shoreline makes it a popular beach resort. The seaside environment is enhanced by hilly surroundings that are easily accessible. More on San Sebastián

Joaquín Sorolla y Bastida (27 February 1863  10 August 1923) was a Spanish painter. Sorolla excelled in the painting of portraits, landscapes, and monumental works of social and historical themes. His most typical works are characterized by a dexterous representation of the people and landscape under the sunlight of his native land. More on Joaquín Sorolla y Bastida

UNKNOWN (20TH CENTURY)
STEAM SHIP
Oil on panel
8 x 10 in.
Private Collection





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01 Marine Work, GEORGE SAVARY WASSON's USS Brooklyn at the Battle of Santiago de Cuba, With Footnotes, #320

GEORGE SAVARY WASSON (American, 1855-1932) USS Brooklyn at the Battle of Santiago de Cuba, c. 1901 Oil on canvas 30 x 45 in. Private collect...