Eugène Boudin, 1824 - 1898
ANVERS, GROS TEMPS SUR L'ESCAUT/ ANTWERP, BIG WEATHER ON THE SCHELDT, c. 1871-1874
Oil on canvas
21 1/4 by 29 1/4 in., 54 by 74.3 cm
Private collection
The Scheldt (French: Escaut) is a 350-kilometre (220 mi) long river in northern France, western Belgium, and the southwestern part of the Netherlands. Its name is derived from an adjective corresponding to Old English sceald ("shallow"), Modern English shoal. More on The Scheldt
The Port of Antwerp, in Flanders, Belgium, is a port in the heart of Europe accessible to capesize ships. It is Europe’s second-largest seaport, after Rotterdam. Antwerp stands at the upper end of the tidal estuary of the Scheldt. The estuary is navigable by ships of more than 100,000 Gross Tons as far as 80 km inland. More on the Port of Antwerp
Eugène Louis Boudin; 12 July 1824 – 8
August 1898) was one of the first French landscape painters to paint outdoors.
Boudin was a marine painter, and expert in the rendering of all that goes upon
the sea and along its shores.
Born at
Honfleur, Boudin was the son of a harbor pilot, and at age 10 the young boy
worked on a steamboat that ran between Le Havre and Honfleur. In 1835 the
family moved to Le Havre, where Boudin's father opened a store for stationery
and picture frames. Here the young Eugene worked, later opening his own small
shop. In his shop, in which pictures were framed, Boudin came into contact with
artists working in the area and exhibited in the shop their paintings. At the
age of 22 he started painting full-time, and traveled to Paris the following
year and then through Flanders. In 1850 he earned a scholarship that enabled
him to move to Paris, although he often returned to paint in Normandy and, from
1855, made regular trips to Brittany.
In 1857/58
Boudin befriended the young Claude Monet, then only 18, and persuaded him to
give up his teenage caricature drawings and to become a landscape painte. The
two remained lifelong friends and Monet later paid tribute to Boudin’s early
influence. Boudin joined Monet and his young friends in the first Impressionist
exhibition in 1873, but never considered himself a radical or innovator.
Late in his life he returned to the south of
France as a refuge from ill-health, and recognizing soon that the relief it
could give him was almost spent, he returned to his home at Deauville, to die
within sight of Channel waters and under the Channel skies he had painted so
often. More
on Eugène Louis Boudin
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