01 Photograph - Marine Art, Gian Paolo Barbieri's Jill Kennington in Missoni, Port Sudan, with Footnotes, #324

Gian Paolo Barbieri (N. 1935)

Jill Kennington in Missoni, Port Sudan, c. 1974

Contemporary fine art digital ink-jet (pigment print)

90 x 90 cm.

Private collection

Sold for EUR 12,600 in  Jun 2022

Jill Kennington (born 2 January 1943) is a British fashion model and photographer. She is best known for her appearance in Michelangelo Antonioni's 1966 film Blow-Up.

Jill Kennington was born in the village of Riby, Lincolnshire on 2 January 1943. She grew up on a farm there, with two sisters and a brother. She was educated at a boarding school in the Lake District, and a finishing school in Sussex.

At the age of 18, Kennington started at Michael Whittaker's small "school" for aspiring models and after only two days, met Norman Hartnell who was about to do a major UK tour; he declared, "Darling, you are going to be my mascot". She toured as one of Hartnell's models for about a month's time.

Kennington met photographer John Cowan in February 1962 and it was through her work with Cowan that she made her name as a model in the 1960s. Cowan injected action and dynamism into his shoots that had previously been lacking in fashion photography. Work from that period is in the collection of the Victoria and Albert Museum, while work with other photographers, including Norman Parkinson and Lord Lichfield is in the collection of the National Portrait Gallery. She was twice on the front cover of Vogue. Kennington has also worked with the photographers David Bailey, Terence Donovan, Brian Duffy, Helmut Newton, Jeanloup Sieff, Richard Avedon, William Klein, and Bob Richardson. More on Jill Kennington

Gian Paolo Barbieri (or Giampaolo Barbieri) (born 1938) is an Italian fashion photographer.

Born on the Via Mazzini in Milan, he was influenced by cinema at an early age and photographed models in 1960s Rome, part of the social scene that was portrayed in Federico Fellini's 1960 film La Dolce Vita.

A self-taught photographer, his first professional work was an apprenticeship to the Harper's Bazaar photographer Tom Kublin, who died twenty days later. In 1963 Barbieri had some images published in the Italian fashion magazine Novità, which became Vogue Italia in 1965. Barbieri also shot for the American and French editions of Vogue.

The role of fashion editor had not been fully created in the 1960s, and Barbieri had to find the best setting for his photographs and create the hairstyles, makeup, and jewellery. This could lead to the use of unusual materials, a notable example being earrings made with table tennis balls painted in a mother-of-pearl colour.

Barbieri opened his own studio in Milan in 1964, and began to work closely with ready-to-wear fashion designers a few years later. His creative relationship with Walter Albini led to an appreciation of the role of the stylist, and Barbieri and the fashion designer Valentino were responsible for innovations in modern fashion advertising campaigns. 

In the 1990s Barbieri became a travel photographer. An exhibition of Barbieri's work was curated by the English fashion photographer David Bailey, shown at the Victoria and Albert Museum in London and the Kunstforum in Vienna.

Barbieri photographs in analog and does not retouch his pictures. In 1968 he was awarded the Biancamano Prize as Best Italian Photographer and was named one of the 14 best international fashion photographers by the German magazine Stern in 1978. More on Gian Paolo Barbieri

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