Showing posts with label Fishermen. Show all posts
Showing posts with label Fishermen. Show all posts

01 Classic Works of Art, Marine Paintings - With Footnotes, #173

Pavlos SAMIOS
Fishermen in a boat 
Encaustic painting/ hot wax painting on canvas
35 x 40 cm
Private collection

Pavlos Samios (born 1948) is a Greek painter and professor at the Athens School of Fine Arts.

Samios was born on October 28, 1948 in Athens, Greece. As a teenager he worked at Dionysios Karoussos icon-painting studio and at the same time he attended drawing lessons under Panos Sarafianos so that he could pass the exams in order to enter the School of Fine Arts where he was accepted in 1969,  and he graduated in 1972. 

In early 1978 Samios organised his first solo exhibition in Athens where he exhibited a total of 36 paintings. The same year he moved to Paris where he lived until 1992. 


In his paintings Samios express a symbolic and metaphysical vision. He uses several painting techniques (fresco, tempera, etc.) which are characteristic of his various periods of work. His works are found in private collections, museums and cultural institutions worldwide. More on Pavlos Samios




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01 Classic Works of Art, Marine Paintings - With Footnotes, #18f

William Edouard Scott, 1884 - 1964
FISHERMEN
Oil on panel
17 7/8 by 22 inches, (45.4 by 55.9 cm)
Private Collection

William Edouard Scott (1884–1964) was an African-American artist. Even before Alain Locke asked African Americans to create and portray the New Negro that would thrust them into the future, artists like William Edouard Scott were depicting blacks in new ways to break away from the subjugating images of the past. William Edouard Scott, well known for his portraits, Haitian scenes, and murals, challenged the standard depiction of blacks in art in the first half of the 20th century by utilizing black subject matter in an uplifting way. However, just as his style remained traditional as opposed to abstract, he was relatively conservative in his portrayals of blackness.

Scott was born in Indianapolis in 1884. After graduating from Manual Training High School in 1903, Scott spent a year studying drawing under Otto Stark. In 1904 he moved to Chicago and attended the School of the Art Institute of Chicago, where he won the Frederick Mangus Brand prize for pictorial composition. During his time in Chicago he painted murals around the city, one of which was Commerce, which is still lauded today as “remarkable”. He learned much of his palette and impressionist technique, however, during his travels to France. While abroad he studied at Académie Julien and Académie Colarossi and was mentored by Henry O. Tanner. Training in Paris, Scott was able to build a reputation for himself more easily than his race would have allowed in America. 


After his formal education was complete, Scott received a Rosenwald Foundation grant and traveled to Haiti to paint those who had “maintained their African heritage”. Later he traveled to Alabama to study blacks in different communities in the South. By refusing to paint blacks as only slaves and laborers, Scott hoped to “reverse the stereotypical perceptions of African Americans and eventually foster an understanding among the races”. More on William Edouard Scott





Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, and The Canals of Venice

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

01 Classic Works of Art, Marine Paintings - With Footnotes, #136

Attilio Pratella, (1856–1949)
Pescatori sul molo/ Fishermen on the mole, circa 1900
Oil on canvas
Artgate Cariplo Foundation

A mole is a massive structure, usually of stone, used as a pier, breakwater, or a causeway between places separated by water. The word comes from Middle French mole, ultimately from Latin mōlēs, meaning a large mass, especially of rock. A mole may have a wooden structure built on top of it that resembles a wooden pier. The defining feature of a mole, however, is that water cannot freely flow underneath it, unlike a true pier. The oldest known mole is at Wadi al-Jarf, an ancient Egyptian harbor complex on the Red Sea. More on A mole 

Attilio Pratella (born 1856 in Lugo di Romagna, Italy; died 1949 in Naples, Italy) was an Italian painter. Pratella studied at the Accademia di Belle Arti in Bologna. He won a scholarship, so he went to Naples to study at the Accademia di Belle Arti di Napoli, where he spent the rest of his life.

His favourite subjects were Naples with its markets and animated waterfronts, along with the neighbouring hills of Vomero, the island of Capri and the coastline of Sorrento.


Pratella's sons Fausto and Paolo, and his daughter Ada were also painters.


His works are exhibited in the main public Italian Modern Art Galleries of Milan, Naples, and Rome.


After Pratella's death, a street in Naples and in Lugo di Romagna was named after him. More on Attilio Pratella





Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, And visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.


Thank you for visiting my blog and also for liking its posts and pages.

A note to the readers of Zaidan Gallery

      A note to the readers of Zaidan Gallery It is with great sadness that we share the news that the author of this blog,  Henry Zaidan (1...