01 Marine Art, Paul Signac's Roscoff , With Footnotes #313

Paul Signac, 1863 - 1935

Roscoff, c. 1927

Watercolour, gouache and pencil on paper

27,6 x 43,8 cm; 10⅞ x 17¼ in.

Private collection

Sold for 63,000 EUR in March 2022

In the 19th century, Roscoff traded in cloth, salt and wood… even onions exported to England. Everything in its historic centre evokes the wealth of maritime trade: from the church hidden away in its garden to the opulent granite dwellings; from the boats sculpted out of stone to the turrets in the old harbour. The spirit of corsairs, smugglers and merchants still seems to hover around the entrances to elaborate cellars that open at street or beach level. More on Roscoff 

Paul Signac, (born Nov. 11, 1863, Paris, France—died Aug. 15, 1935, Paris) A French painter who, with Georges Seurat, developed the technique called pointillism.

When he was 18, Signac gave up the study of architecture for painting and, through Armand Guillaumin, became a convert to the colouristic principles of Impressionism. In 1884 Signac helped found the Salon des Indépendants. There he met Seurat, whom he initiated into the broken-colour technique of Impressionism. The two went on to develop the method they called pointillism, which became the basis of Neo-Impressionism. They continued to apply pigment in minute dabs of pure colour, as had the Impressionists, but they adopted an exact, almost scientific system of applying the dots, instead of the somewhat intuitive application of the earlier masters. In watercolours Signac used the principle in a much freer manner. After 1886 he took part regularly in the annual Salon des Indépendants, to which he sent landscapes, seascapes, and decorative panels. Being a sailor, Signac traveled widely along the European coast, painting the landscapes he encountered. In his later years he painted scenes of Paris, Viviers, and other French cities.

Signac produced much critical writing and was the author of From Eugène Delacroix to Neo-Impressionism (1899) and Jongkind (1927). The former book is an exposition of pointillism, while the latter is an insightful treatise on watercolour painting. More on Paul Signac

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest

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01 Work of Art, Marine Paintings - With Footnotes, #235

Paul Signac, 1863 - 1935

PAIMPOL, c. 1928

Gouache, watercolor, chalk and pencil on paper

11 by 17 1/8 in., 27.9 by 43.5 cm

Private collection

Paimpol is a commune in the Côtes-d'Armor department in Brittany in northwest France. It is a tourist destination, especially during the summer months when people are attracted by its port and beaches. More on Paimpol

Paul Signac, (born Nov. 11, 1863, Paris, France—died Aug. 15, 1935, Paris) French painter who, with Georges Seurat, developed the technique called pointillism.

When he was 18, Signac gave up the study of architecture for painting and, through Armand Guillaumin, became a convert to the colouristic principles of Impressionism. In 1884 Signac helped found the Salon des Indépendants. There he met Seurat, whom he initiated into the broken-colour technique of Impressionism. The two went on to develop the method they called pointillism, which became the basis of Neo-Impressionism. They continued to apply pigment in minute dabs of pure colour, as had the Impressionists, but they adopted an exact, almost scientific system of applying the dots, instead of the somewhat intuitive application of the earlier masters. In watercolours Signac used the principle in a much freer manner. After 1886 he took part regularly in the annual Salon des Indépendants, to which he sent landscapes, seascapes, and decorative panels. Being a sailor, Signac traveled widely along the European coast, painting the landscapes he encountered. In his later years he painted scenes of Paris, Viviers, and other French cities.

Signac produced much critical writing and was the author of From Eugène Delacroix to Neo-Impressionism (1899) and Jongkind (1927). The former book is an exposition of pointillism, while the latter is an insightful treatise on watercolour painting. More on Paul Signac

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, And visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

01 Classic Works of Art, Marine Paintings - With Footnotes, #185

Paul SIGNAC, 1863 - 1935 

La Rochelle, c. 1920 

Watercolor, heightened with gouache and pencil bold on paper 

h: 29 w: 44 cm

Private collection

La Rochelle is a city in western France and a seaport on the Bay of Biscay, a part of the Atlantic Ocean. It is the capital of the Charente-Maritime department.

La Rochelle was founded during the 10th century and became an important harbour in the 12th century.] The establishment of La Rochelle as a harbour was a consequence of the victory of Duke Guillaume X of Aquitaine over Isambert de Châtelaillon in 1130. In 1137, Guillaume X to all intents and purposes made La Rochelle a free port and gave it the right to establish itself as a commune. Fifty years later Eleanor of Aquitaine upheld the communal charter promulgated by her father, and for the first time in France, a city mayor was appointed for La Rochelle, Guillaume de Montmirail. Guillaume was assisted in his responsibilities by 24 municipal magistrates, and 75 notables who had jurisdiction over the inhabitants. Under the communal charter, the city obtained many privileges, such as the right to mint its own coins, and to operate some businesses free of royal taxes, factors which would favour the development of the entrepreneurial middle-class (bourgeoisie). More on La Rochelle

Paul Signac, (born Nov. 11, 1863, Paris, France—died Aug. 15, 1935, Paris) French painter who, with Georges Seurat, developed the technique called pointillism.

When he was 18, Signac gave up the study of architecture for painting and, through Armand Guillaumin, became a convert to the colouristic principles of Impressionism. In 1884 Signac helped found the Salon des Indépendants. There he met Seurat, whom he initiated into the broken-colour technique of Impressionism. The two went on to develop the method they called pointillism, which became the basis of Neo-Impressionism. They continued to apply pigment in minute dabs of pure colour, as had the Impressionists, but they adopted an exact, almost scientific system of applying the dots, instead of the somewhat intuitive application of the earlier masters. In watercolours Signac used the principle in a much freer manner. After 1886 he took part regularly in the annual Salon des Indépendants, to which he sent landscapes, seascapes, and decorative panels. Being a sailor, Signac traveled widely along the European coast, painting the landscapes he encountered. In his later years he painted scenes of Paris, Viviers, and other French cities.

Signac produced much critical writing and was the author of From Eugène Delacroix to Neo-Impressionism (1899) and Jongkind (1927). The former book is an exposition of pointillism, while the latter is an insightful treatise on watercolour painting. More on Paul Signac

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, and The Canals of Venice, And visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

01 Classic Works of Art, Marine Paintings - With Footnotes, #132

Paul Signac, (French, 1863–1935)

Antibes, Goélettes au port/ Schooners at quay, Antibes, 1914

Watercolor and lead mine on paper

29 x 40.5 cm. (11.4 x 15.9 in.)

Private collection

Antibes is a Mediterranean resort in southeastern France, on the Côte d'Azur between Cannes and Nice.

From around the middle of the 19th century the Antibes area regained its popularity, as wealthy people from around Europe discovered its natural beauty and built luxurious homes there. It's harbor was used for a "considerable" fishing industry and the area exported dried fruit, salt fish, and oil.


By the First World War, it had been connected by rail with Nice. In 1926, the old Château Grimaldi in Antibes was bought by the local municipality and later restored for use as a museum. Pablo Picasso came to the town in 1946, and was invited to stay in the castle. During his six-month stay, Picasso painted and drew, as well as crafting ceramics and tapestries. When he departed, Picasso left a number of his works to the municipality. The castle has since become the Picasso Museum. More on Antibes

Paul Signac, (born Nov. 11, 1863, Paris, France—died Aug. 15, 1935, Paris) French painter who, with Georges Seurat, developed the technique called pointillism.

When he was 18, Signac gave up the study of architecture for painting and, through Armand Guillaumin, became a convert to the colouristic principles of Impressionism. In 1884 Signac helped found the Salon des Indépendants. There he met Seurat, whom he initiated into the broken-colour technique of Impressionism. The two went on to develop the method they called pointillism, which became the basis of Neo-Impressionism. They continued to apply pigment in minute dabs of pure colour, as had the Impressionists, but they adopted an exact, almost scientific system of applying the dots, instead of the somewhat intuitive application of the earlier masters. In watercolours Signac used the principle in a much freer manner. After 1886 he took part regularly in the annual Salon des Indépendants, to which he sent landscapes, seascapes, and decorative panels. Being a sailor, Signac traveled widely along the European coast, painting the landscapes he encountered. In his later years he painted scenes of Paris, Viviers, and other French cities.

Signac produced much critical writing and was the author of From Eugène Delacroix to Neo-Impressionism (1899) and Jongkind (1927). The former book is an exposition of pointillism, while the latter is an insightful treatise on watercolour painting. More on Paul Signac

Please visit my other blogs: Art Collector, Mythology, Marine Art, and The Canals of Venice

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.