Marine Art

01 Painting - Marine Art, William Wyld's Fishing boats in an Italian coastal landscape, with Footnotes, #328

William Wyld, RI (British, 1806-1889)

Fishing boats in an Italian coastal landscape

Watercolour over traces of pencil heightened with white

22.2 x 34.6cm (8 3/4 x 13 5/8in).

Private collection

Estimated for £1,500 - £2,000 in July 2022

William Wyld (1806-1889) was an English landscape and topographical painter in oils and watercolour. Wyld was born into a rich merchant family in 1806 in London.

On the death of his father when Wyld was aged 20, he was made secretary to the British Consulate in Calais, where he got to know the watercolourist Francois Louis Thomas Francia who taught Richard Parkes Bonington, and from whom Wyld had drawing lessons.

Wyld then worked as a champagne merchant, following in family tradition, from 1827-1833.

When his younger brother was of age to take over the business, Wyld set off on a career as a painter. In 1830 he visited Algiers, stayed for six months and reacquainted himself with his old friend Horace Vernet who encouraged Wyld on his painting career, travelling with him to Rome to base themselves there and to meet important patrons.

Wyld painted many views of Venice and other Italian towns, whilst travelling throughout Europe. He played an important part in the development of watercolour painting in France and was awarded the Legion d'Honneur in 1855.

Wyld exhibited at the Royal Academy, the New Watercolour Society and was made a member of the Royal Institute in 1879.

He died in Paris on 25th December 1889. More on William Wyld

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest and my art stores at deviantart and Aaroko

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02 Paintings - Marine Art, Rikki Kasso's Breaking Waves, with Footnotes, #326

Rikki Kasso

Check Chasing, c. 2019

Sumi Ink & Acrylic on Canvas

47.6 x 35.4 x 1.6 inch

Private collection

Rikki Kasso

Breaking Waves, c. 2021

Sumi Ink & Acrylic on Canvas

18 x 24 x 0 inch

Private collection

Artist Rikki Kasso is currently based in Byron Bay, Australia. The self-taught art director, photographer and multi-disciplinary visual artist left his native New York City for Shibuya, Tokyo in 2003 on an invite from VOGUE JAPAN to host a retrospective of his works at the Rocket Gallery, Omotesando. He then spend the next nine years in Shibuya, Tokyo, immersed in the unique and ancient Japanese culture which not only influenced his art making practices but permeated its way through his entire being.

Kasso's artistic virtuosity is effortlessly translated through a variety of media and expressions from photography and film to paintings, drawings, and installations. His remarkable vision is presented through juxtaposed images of feminine sexuality, timeless landscapes and heavenly realities.

“My works represent my fascination with isolation in crowded environments, the subtleties of sexuality in humans and nature, and the pure sincerity of voyeuristic love. For me art is isolation, when we take something from its natural environment and put it on display, whether it's a canvas from the studio or a flower from the field we define beauty in its isolation. At the same time isolation is an emotion or a feeling. Contemplating love is perceived as an isolating moment of blissful confusion." More on Rikki Kasso

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01 Painting - Marine Art, Frank Henry Mason's Unloading barges in Bristol harbour, With Footnotes, #321

Frank Henry Mason RBA, RI, RSMA (1875-1965)

Unloading barges in Bristol harbour

Watercolour heightened in white

22cm by 34cm)

Private collection

Sold for £750 in Nov, 2018

Bristol Harbour covers an area of 70 acres (28 hectares). It is the former natural tidal river Avon through the city but was made into its current form in 1809 when the tide was prevented from going out permanently. A tidal by-pass was dug for 2 miles through the fields of Bedminster for the river, known as the "River Avon New Cut", "New Cut", or simply "The Cut". It is often called the Floating Harbour as the water level remains constant and it is not affected by the state of the tide on the river in the Avon Gorge, The New Cut or the natural river southeast of Temple Meads to its source. More on Bristol Harbour

Frank Henry Mason (1 October 1875 – 24 February 1965), RBA, RI, RSMA was an artist best known for his maritime, shipping, coastal and harbour paintings, and as a creator of art deco travel and railway posters. His style is described as 'light impressionist' and he was a founder member of the Staithes Art Club whose members are known today as the Staithes group of artists, or the Northern Impressionists. More on Frank Henry Mason

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01 Photograph - Marine Art, Gian Paolo Barbieri's Jill Kennington in Missoni, Port Sudan, with Footnotes, #324

Gian Paolo Barbieri (N. 1935)

Jill Kennington in Missoni, Port Sudan, c. 1974

Contemporary fine art digital ink-jet (pigment print)

90 x 90 cm.

Private collection

Sold for EUR 12,600 in Jun 2022

Jill Kennington (born 2 January 1943) is a British fashion model and photographer. She is best known for her appearance in Michelangelo Antonioni's 1966 film Blow-Up.

Jill Kennington was born in the village of Riby, Lincolnshire on 2 January 1943. She grew up on a farm there, with two sisters and a brother. She was educated at a boarding school in the Lake District, and a finishing school in Sussex.

At the age of 18, Kennington started at Michael Whittaker's small "school" for aspiring models and after only two days, met Norman Hartnell who was about to do a major UK tour; he declared, "Darling, you are going to be my mascot". She toured as one of Hartnell's models for about a month's time.

Kennington met photographer John Cowan in February 1962 and it was through her work with Cowan that she made her name as a model in the 1960s. Cowan injected action and dynamism into his shoots that had previously been lacking in fashion photography. Work from that period is in the collection of the Victoria and Albert Museum, while work with other photographers, including Norman Parkinson and Lord Lichfield is in the collection of the National Portrait Gallery. She was twice on the front cover of Vogue. Kennington has also worked with the photographers David Bailey, Terence Donovan, Brian Duffy, Helmut Newton, Jeanloup Sieff, Richard Avedon, William Klein, and Bob Richardson. More on Jill Kennington

Gian Paolo Barbieri (or Giampaolo Barbieri) (born 1938) is an Italian fashion photographer.

Born on the Via Mazzini in Milan, he was influenced by cinema at an early age and photographed models in 1960s Rome, part of the social scene that was portrayed in Federico Fellini's 1960 film La Dolce Vita.

A self-taught photographer, his first professional work was an apprenticeship to the Harper's Bazaar photographer Tom Kublin, who died twenty days later. In 1963 Barbieri had some images published in the Italian fashion magazine Novità, which became Vogue Italia in 1965. Barbieri also shot for the American and French editions of Vogue.

The role of fashion editor had not been fully created in the 1960s, and Barbieri had to find the best setting for his photographs and create the hairstyles, makeup, and jewellery. This could lead to the use of unusual materials, a notable example being earrings made with table tennis balls painted in a mother-of-pearl colour.

Barbieri opened his own studio in Milan in 1964, and began to work closely with ready-to-wear fashion designers a few years later. His creative relationship with Walter Albini led to an appreciation of the role of the stylist, and Barbieri and the fashion designer Valentino were responsible for innovations in modern fashion advertising campaigns.

In the 1990s Barbieri became a travel photographer. An exhibition of Barbieri's work was curated by the English fashion photographer David Bailey, shown at the Victoria and Albert Museum in London and the Kunstforum in Vienna.

Barbieri photographs in analog and does not retouch his pictures. In 1968 he was awarded the Biancamano Prize as Best Italian Photographer and was named one of the 14 best international fashion photographers by the German magazine Stern in 1978. More on Gian Paolo Barbieri

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01 Photograph - Marine Art, Kasia Derwinska's Melancholy has the scent of sea, With Footnotes, #323

Kasia Derwinska, Spain
Melancholy has the scent of sea - Limited Edition of 20
Photography
15.7 W x 15.7 H x 0 in
Private collection

For sale for C$1,095 in May 2025

Kasia Derwinska "Photography is my way of communicating with the world. In my work, I talk about own experiences, thoughts, doubts, fears and hopes trying to reflect my own life's path. In addition to my experiences, my creations are inspired by night dreams as since childhood I remember most of them and I believe that dreams are the most simbolic language of our subconscious, a guide to navigate in the modern world. I am autodidactic and I don´t recognize myself as a photographer. I use photography as a tool, like a brush for painting or an instrument to play music. My work is an attempt to connect substantiality of the world that surrounds us with elusiveness of feelings and thoughts. For that reason I describe my creations as building a bridge between the visible and the invisible. My works are divided in four basic series: fairytales and fantasies, conceptual black and white, night dreams, and the color serie called "who sings, frightens away his fears" More on Kasia Derwinska

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01 Marine Painting - Charles Henry Fromuth's Storm Sailing, With Footnotes, #323

Charles Henry Fromuth, American, 1858-1937

Storm Sailing, Concarneau, c. 1925-27

Pastel on paper laid down on board

18 x 29 1/2 inches (45.7 x 75 cm)

Private collection

Sold for $3,000 USD in Jun 2022

Concarneau is a commune in the Finistère department of Brittany in north-western France.

The town has two distinct areas: the modern town on the mainland and the medieval Ville Close, a walled town on a long island in the centre of the harbour. Historically, the old town was a centre of shipbuilding, and its ramparts date from the 14th century. More on Concarneau

Charles Fromuth is an American painter born in 1866 in Philadelphia and died in 1937 at Concarneau. Charles Fromuth learned painting at the School of Fine Arts in Philadelphia under the direction of Thomas Eakins ; he discovers Europe and Paris in 1889. With the exception of a trip to the United States in 1910, he spent the rest of his life in Concarneau residing at the Hotel de France in this sardine port.

At the Universal Exhibition of 1900 , he discovered Japanese art, particularly Hokusai. Fromuth had the same view of nature that the Japanese, he worshiped the sea in all its forms. All his work is devoted to the craft of animation in the main port of Concarneau. "The movement is the thrust of my work," wrote Fromuth. He exhibited regularly in Europe, earning various awards and medals, until 1910. After that date, he devoted himself entirely to his hermit pastels and charcoal drawings depicting fleeing boats under sail. More on Charles Fromuth

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01 Marine Painting - Robert Russ' Boats in the Mist, With Footnotes, #323

Robert Russ, Austrian, 1847-1922

Boats in the Mist, c. 1913

Oil over traces of pencil on board

14 1/8 x 11 3/8 inches (35.9 x 28.9 cm)

Private collection

Sold for $1,700 USD in June 2022

Robert Russ (1847, Vienna-1922, Vienna) was best known for watercolors, architectural views, urban genre scenes and landscapes with figures painted in the pure, classical style. Russ was born into a family of artists - both his father, Franz Russ and brother, the portrait and genre painter Franz Seraph Russ.

He began studying at the Vienna Academy of Fine Arts under Albert Zimmermann, who headed the department of landscape art. Among his colleagues were Emil Jakob Schindler, Eugen Jettel und Rudolf Ribarz. Robert exhibited during his studies at the Vienna Academy and the Austrian Art Association. From 1868 he was among the members of the Wien Künstlerhaus (Vienna art exhibition building).

In 1871, Russ started teaching landscape painting at the Vienna Academy. Winning the Reichl Prize in 1880, Russ was elected an honorary member of the Vienna Academy by 1881.

Robert Russ drew inspiration for his work from rich Austrian and Italian landscapes and is credited for having a profound influence on Austrian landscape painting in the last third of the 19th century before his death in 1922.

His works hang at the Villa Borghese and Gardens in Rome, in Gratz, Vienna and many other museums around Europe. More on Robert Russ

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints and 365 Days, also visit my Boards on Pinterest

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01 Painting - Marine Art, Nicholas Takis' Harbor Scene, with Footnotes, #325

Nicholas Takis, New York (1903 - 1965)

Harbor Scene, c. 1963

Oil On Masonite Board

15 3/8"H X 19 1/2"W

Private collection

Sold for $225 in Jun 2022

"Although Nicholas Takis enjoyed all of the luxuries of a millionaire's son only a few years ago and today is selling his paintings for what he can get, the change in his fortune doesn't bother him. He's as "happy now as I ever was," Evening Journal, 1930

Nicholas Takis (1903-64) was born in 1903 and was predominantly influenced creatively by the 1920s growing up. Key artistic developments that had been established in the earlier part of the 20th century continued to be worked on during the 1920s and 1930s. During this period the careers of many inspiring and pioneering artists began to flourish, yet at the same time there was an atmosphere of consideration and solemnity following the horrors of the First World War. Major shifts in politics were taking place worldwide, and Marxism took a strong hold as an ideology amongst artist groups and communities. Due to its cultural importance, Surrealism spread as an ideology on an international scale, and became the most prominent theme of the pictorial arts in the 1920s.

The Bauhaus movement developed during this time and focused on a unification of all modes of art, working towards the idea of the ‘Gesamtkunstwerk’. The liberal politics of the Weimar Republic in Germany empowered this movement to blossom and flourish and develop further. The leading focus for art during this time was on Freudian theory and the human subconscious, and these ideas were best portrayed by artists including Salvador Dali, Giorgio de Chirico, Andre Breton, Rene Magritte and Paul Delvaux, whilst in Paris, artists such as Brancusi, Modigliani and Soutine developed methods of art which were vivid and dynamic. More on Nicholas Takis

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01 Marine Painting, Antonio Nicolo Gasparo Jacobsen's Portrait of the Fluminense - With Footnotes, #369

Antonio Nicolo Gasparo Jacobsen, (Danish/American, 1850-1921)

Portrait of the Fluminense

Oil on canvas

22 x 36in (56 x 91.5cm)

Private collection

Sold for $2,400 USD in Feb 2020

Antonio Nicolo Gasparo Jacobsen (November 2, 1850 – February 2, 1921) was a Danish-born American maritime artist known as the "Audubon of Steam Vessels". He was born in Copenhagen, Denmark where he attended the Royal Academy of Design before heading across the Atlantic Ocean. He arrived in the United States in August 1873 and settled in West Hoboken, New Jersey (now Union City, New Jersey), across the Hudson River from Manhattan and New York Harbor. Jacobsen got his start painting pictures of ships on safes, and as his reputation grew, he was asked to do portraits of ships by their owners, captains and crew members, with many of his works sold for five dollars.

Jacobsen painted more than 6,000 portraits ofAntonio Nicolo Gasparo Jacobsen's Portrait of the Fluminenses, making him "the most prolific of marine artists". Many of his commissions came from sea captains, and Jacobsen was chosen both for the accuracy of his work and his low fee. More Antonio Nicolo Gasparo Jacobsen

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01 Photograph - Marine Art, Michael Ancher's Three fishermen from Skagen hauling in their net, With Footnotes, #322

Michael Ancher (b. Bornholm 1849, d. Skagen 1927)

View of Skagen Beach with fishermen hauling in the fishing-nets

Oil on canvas

88 x 125 cm.

Private collection

Estimated for kr300,000 DKK - kr500,000 DKK in Jun 2012

Michael Peter Ancher (9 June 1849 – 19 September 1927) was a Danish realist artist. He is remembered above all for his paintings of fishermen and other scenes from the Danish fishing community in Skagen. Ancher was born on the island of Bornholm. He attended school in Rønne but was unable to complete his secondary education as his father ran into financial difficulties. In 1866, he met the painters Theodor Philipsen and Vilhelm Groth. Impressed with his own early work, they encouraged him to take up painting as a profession. In 1871, he spent a short period at C.V Nielsen's art school as a preliminary to joining the Royal Danish Academy of Art in Copenhagen later in the year. Although he spent some time at the academy, he left in 1875 without graduating.

He achieved his artistic breakthrough in 1879 with the painting Vil han klare pynten (Will He Round the Point?). Michael Ancher's works depict Skagen's heroic fishermen and their dramatic experiences at sea. More on Michael Peter Ancher

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01 Painting - Marine Art, C. F. Sørensen's Navy with a convoy of Danish warships, With Footnotes, #320

C. F. Sørensen (b. Samsø 1818, d. Copenhagen 1879)

A convoy of Danish warships, c. 1873

Oil on canvas

41×63.5 cm.

Private collection

Danish warships may have been part of convoys during wartime or in other conflicts. Convoys are groups of ships that travel together, often protected by larger or more heavily armed ships...

Carl Frederik Sørensen (8 February 1818, Besser, Samsø – 24 January 1879, Copenhagen) was a Danish artist who specialized in marine painting. His paintings not only attracted customers in Denmark but also in the courts of St Petersburg, London and Athens.

Sørensen attended the Danish Academy from 1843 to 1846. He took part in the decoration of the Thorvaldsen Museum in 1844. He studied perspective under Christoffer Wilhelm Eckersberg at the end of 1845. In 1846, he travelled to the Mediterranean, in 1853–54 he visited Germany, the Netherlands, Belgium, France and England. Almost every year he went on sea voyages. He took a special interest in the weather and its effects on the sea, developing his own recognizable style. He also painted more idyllic scenes, full of charm and atmosphere. His seascapes won him widespread popularity, especially those he painted under the First Schleswig War when he sailed with the Navy around Helgoland (1849) and in the Baltic (1850) where he depicted the Danish fleet in combat. More on Carl Frederik Sørensen

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints and 365 Days, also visit my Boards on Pinterest

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